101 REYKJAVIK 2000 subtitles

101 REYKJAVIK  2000 subtitles

The main character is Hlynur (Hilmir Snær Guðnason), a thirty-year-old who still lives with his mother Berglind (Hanna María Karlsdóttir) in their tiny apartment in Reykjavik. He's the Icelandic version of a slacker, on unemployment and watching porn or surfing the net most of the time.

 

Enter Lola (Abril), Berglind's Flamenco teacher. She stays with the family over Christmas, and after New Year's and a night of drinking, she and Hlynur do the wild thing. Lola calls it a mistake afterwards and wants to forget about it.

 

Surprise! Mom sits Hlynur down one day to let him know that she is in love with Lola, and the two will be living together. Later he finds out that Lola is pregnant, and that she and his mother will be raising the baby together. They never let Berglind know that Hlynur is the father.

 

This strange set of events finally kicks Hlynur into getting a life and finding a job. His brother may also be his son, but he decides to do the right thing by his mother and her happiness.

 

 

2 Seconds

A champion mountain bike racer named Laurie (Charlotte Laurier) hesitates at the start gate, and the two seconds lost cost her the race--and her place on the team.

 

Forced into retirement, she meets Lorenzo (Dino Tavarone), a cantankerous Italian bike shop owner and former champion himself. Their mutual love and appreciation of cycling draw them together in spite of initial clashes. One night, they decide to face each other in a peculiar duel. Lorenzo shows Laurie how every victory is relative and that -- speaking of relativity -- speed is not the only way to bring time to a halt.

 

 

8 Femmes (Sub-titles)

 

 A Woman Accused filmed 1976 – (also titled In the Glitter Palace) **

 

A Village Affair (filmed 1994) ***

A woman's perfect life with her husband and children is threatened when a neighbour's daughter returns from America and the two women fall into a taboo relationship which scandalizes the entire village.

 

Based on the best-selling novel by British author Joanna Trollope.

 

A Family Affair **

Nick-named “My Big Fat Lesbian Jewish Wedding,” this good old-fashioned romantic comedy follows Rachel (played by writer-director, Helen Lesnickaka: the lesbian Woody Allen) as she heads West to California and falls head over heels for blond massage therapist!

 

Died-in-the-wool New Yorker Rachel moves to San Diego looking for a new life and a new romance. That’s where her supportive PFLAG parents live. Rachel is surprised to find how they’ve adapted to the laid back California scene, and totally shocked when her mom (Arlene Golonka, The in Laws) wants to set her up on a blind date. At first she refuses, but eventually Rachel lets her mother introduce her to Christine (Erica Schaffer, Three on a Match).

 

Soon, she finds herself in a real romance. But just when the two women begin to plan their wedding, Rachel’s old flame Reggie (Michele Greene, L.A. Law) makes a comeback attempt!

 

All Over Me ***

Teenage aspiring rock-star Claude (BOYS DON'T CRY's Alison Foland) has a semi-requited crush on her best friend Ellen (FREEWAY's Tara Subkoff). Their lives will be changed forever when Ellen falls for bad-boy homophobe Mark (Cole Hauser).

 

Part sweet lesbian romance/part gritty NYC drama, All Over Me features a tremendous cast including a young (pre-L Word) Leisha Hailey as the pink-haired punker, and the always adorable Wilson Cruz as Claude's gay pal, plus a hard-rocking soundtrack featuring Patti Smith, Ani DiFranco and Babes in Toyland.

 

An Unexpected Love **

Kate Mayer (Leslie Hope) seems to have it all: a nice suburban house, two loving children and a devoted husband. But Kate is anything but happy. She is disappointed not only with her marriage, but with her entire life. In her pursuit of happiness, this frustrated mother files for divorce and gets her first-ever job, working in a small real estate agency.

 

To complicate matters, Kate finds herself strongly attracted to her kindhearted boss, Mac. The surprising twist? Mac (played by actress Wendy Crewson) happens to be a woman. Will Kate have the courage to risk following her heart? Watch one woman's emotional journey of self-discovery.

 

Amour de Femme (filmed 2004 – sub-titled)

French porn sensation Raffaëla Anderson (Baise Moi) stars as a free-spirited dancer, alongside prolific Gallic actress Hélène Fillières who plays the “happily-married” Jeanne. As the film unfolds, these two extraordinarily beautiful woman fall in love, and Jeanne must decide which path she will take towards the future.

 

Jeanne, a happily married, 35-year-old osteopath with a 7-year old son named Louis meets a pretty dancer named Marie at a party arranged by her husband.  While Marie is much younger than Jeanne, there is an immediate chemistry between them.  The two soon become close friends and Jeanne decides to start taking a dance class taught by Marie.  But when Marie starts to fall in love with Jeanne and decides to kiss her, Jeanne discovers she too loves Marie.  Jeanne must now choose between the happy family life she currently maintains and her new love. 

 

Acclaimed director Sylvie Verheyde has directed numerous theatrical films including Princesseswhich was nominated for a Golden Bayard for Best Film at the 2000 Namur International Festival of French-Speaking Films and Un Frere which was nominated for a Golden Alexander at the 1997 Thessalonika Film Festival.

 

April’s Shower (filmed 2004) **

This charming lesbian romantic-comedy asks: How far will we go for true love? Alex (Trish Doolan) is hosting the perfect bridal shower for April (Maria Cina). But it soon becomes clear that Alex and the bride-to-be have some, shall we say, unresolved feelings for each other. One by one, an eclectic array of guests arrive (including super-hot Honey Labrador).

 

When April finally shows up, it becomes clear that the secret Alex is hiding will affect the course of her life, and the future of all of her guests.

 

A Girl Thing **

Stockcard Channing plays Dr. Beth Noonan, a New York City therapist who deals with a variety of four troubled women in four very different stories of their life troubles. The first story, "It Don't Mean Anything If It Ain't Got That Swing," stars Elle Macpherson as Lauren, a lonely, unsure-of-herself lawyer who becomes sexually and emotionally confused when she begins a romantic affair with another woman, an art designer named Casey (Kate Capshaw).

 

A Question of Love filmed 1982**

Groundbreaking drama of lesbian mother (Rowlands), happily sharing a home with her lover (Alexander) and their respective children. Rowlands' children were previously unaware of the sexual relationship. When the oldest son finds out, he leaves and moves in with his father, who then proceeds to initiate legal proceedings to win custody of the other children.

 

Extraordinarily well-acted and directed, with very little sentimentality and virtually no political dogma. This film set the standard for mature, thoughtful presentations of homosexuality in everyday life, and every one of the players is exceptional. Oddly, this received very little backlash at the time it first aired, while today it would bring the pious out in droves to stage protests and boycotts. As the forerunner of a long string of films tackling the subject matter in the 80s and 90s, this is the film to look at to see just how far we haven't come.

 

Another Way (1982 - subtitled) ***

Budapest, 1958. In the years after the failed Hungarian uprising, the oppressive rule of the Stalinists is stifling. For Eva (Jadwiga Jankowska-Cieslak), a journalist with a nationalist political fire, it may be worse than for most. After growing up a peasant but devoting her life to intellectual pursuits, she finally lands a job with a newspaper, despite the fact that she is also a lesbian.

 

Eva shares her new office with blonde and beautiful Livia (Grazyna Szapolowska), the wife of a Hungarian army officer. She's uninhibited, with a zest for life that immediately attracts Eva, and many cigarettes and cognacs later, the two women fall in love. To do so is risky. Caught kissing one night on a park bench, police threaten Livia by telling her that they will talk to both her husband and boss, and Eva is taken off to the station.

 

Despite the dangers, they plan to move in with each other, even after Eva quits the paper to protest political censorship … but this is Hungary in 1958. The bleakness of life behind the Iron Curtain may be interrupted by the sparks of Eva and Livia, but the reality of this life is that such political and social non-conformity is suppressed. The results are tragic for both women.

 

Jankowska-Cieslak won the award for best actress at the Cannes Film Festival, where writer/director Károly Makk also won a special award. Although the film does not have a happy ending for the two women, it's quite fitting that it does not. Part of the value in watching this is feeling a politically repressive world, seeing how it stifles those who dare to think or act out of bounds.

 

Aimee & Jaguar ****

Berlin 1997. An estate agent and clients are looking around a slightly delapidated flat. An old lady is sitting next to her belongings, waiting to go into an old people's home.

 

Over half a century ago, in the middle of the Second World War this flat was a meeting point for young people and a hideout for outsiders.

 

Lilly Wust (Juliane Köhler) leads a conventional life, not suspecting that she will soon be the central figure in extraordinary events. In 1943 she is in her late twenties, has four children, and is a good housewife, although she frequently has lovers. Her husband Günther (Detlev Buck), a soldier on active duty, also has affairs. The couple lives a bourgeois life, but not repressed, as far as sex is concerned. At a concert, Lilly meets a young woman in passing who will turn her life upside down.

 

At first she knows nothing about Felice Schragenheim (Maria Schrader), neither that she is friends with Lilly's maid, Ilse, nor that she is Jewish and living in the underground. There is no particular reason why the brief encounter between the two women should have consequences, since both women are preoccupied with their own survival. Every night there are bombing raids over Berlin, Lilly has to care for her children, and Felice is constantly in danger of being arrested by the Gestapo. Fate brings the two women together a second time, and Lilly feels that she is the object of Felice's desires. She is attracted and fascinated, but also confused.

 

Felice is completely different from all the women Lilly has met so far in her life. She is more self-confident, energetic and intelligent. Felice's women friends also have these qualities, which bewilder Lilly. One day Felice embraces Lilly and kisses her on the mouth in a way Lilly has never experienced before. She is shocked, slaps Felice, and turns away from her; and yet she feels that something has begun from which she will not be able to escape.

 

A passionate love affair begins amidst the bombing raids and the threat of persecution. The two women write letters and poems to one another almost every day. They call one another Aimée (Lilly) and Jaguar (Felice). But Lilly does not really know much about this woman Felice, who disappears for days on end without satisfactory explanation. Eventually, Lilly is overcome by jealousy and Felice is forced to admit that she is Jewish. Felice, who is working for a Nazi newspaper under a false name and delivering information to a resistance group, knows how dangerous this admission could be, since Lilly's husband is clearly a Nazi and there is a bust of Hitler in Lilly's flat. But Lilly surpasses herself; she lets Felice move into her flat and divorces her husband. The two women make a pact of love and marriage. They try to block out the dreadful reality of war and persecution, but it catches up with them. One hot day in August 1944, after an outing to the banks of the Havel where they swam, played around and photographed one another, the Gestapo is waiting in Lilly's flat...

 

Antonia’s Line 1995 **

In an anonymous Dutch village, a sturdy, strong-willed matriarch looks back upon her life, the generations of family and friends gather around her table, and ponder the cyclical nature of time.

 

Amour de Femme (filmed in 2001) French porn sensation Raffaëla Anderson (Baise Moi) stars as a free-spirited dancer, alongside prolific Gallic actress Hélène Fillières who plays the “happily-married” Jeanne. As the film unfolds, these two extraordinarily beautiful woman fall in love, and Jeanne must decide which path she will take towards the future.

Jeanne, a happily married, 35-year-old osteopath with a 7-year old son named Louis meets a pretty dancer named Marie at a party arranged by her husband.  While Marie is much younger than Jeanne, there is an immediate chemistry between them.  The two soon become close friends and Jeanne decides to start taking a dance class taught by Marie.  But when Marie starts to fall in love with Jeanne and decides to kiss her, Jeanne discovers she too loves Marie.  Jeanne must now choose between the happy family life she currently maintains and her new love. 

 

Acclaimed director Sylvie Verheyde has directed numerous theatrical films including Princesseswhich was nominated for a Golden Bayard for Best Film at the 2000 Namur International Festival of French-Speaking Films and Un Frere which was nominated for a Golden Alexander at the 1997 Thessalonika Film Festival.

 

Bar Girls (1995) *

 “A droll, breezy comedy about the mating rituals of the modern lesbian..” – SF Chronicle.

 

A fresh and funny comedy featuring a group of women whose lives and loves intertwine against the backdrop of a Los Angeles lesbian bar. It's the drama of the lesbian dating game we all know and love too well. Bar Girls is a hilarious look at what happens if you put a bunch of lesbians in a round room and tell them to be monogamous.

 

Better Than Chocolate 1999

Nineteen-year-old Maggie (Karyn Dwyer) and Kim (Christina Cox, Nikki and Nora) meet and move in together in Vancouver, with a very active sex life. Just as their relationship is developing, Kim's mother Lila (Wendy Crewson, An Unexpected Love, Mercy) and teenage brother decide to move in with her as well.

 

The best comedic elements in the film come from Crewson's performance as the naïve Lila and her developing friendship with MTF transsexual Judy (Peter Outerbridge). Ann-Marie MacDonald (Interviews with My Next Girlfriend, I've Heard the Mermaids Singing) is also brilliant as Maggie's boss at Ten Percent Books and Judy's love interest.

 

Being John Malkovich – (filmed 1999) ***

Craig (John Cusack) is a puppeteer who takes a new job as a filing clerk. He's married to Lotte (Cameron Diaz, Things You Can Tell Just by Looking at Her) but has the hots for co-worker Maxine (Catherine Keener, Your Friends and Neighbors, If These Walls Could Talk I).

 

This is a bit hard to explain, but Craig finds a hidden door at work that turns out to be a portal into actor John Malkovich. For fifteen minutes, you see the world as John does, before you get spit out on the New Jersey Turnpike. Craig and Maxine work on selling tickets to the ride.

 

From her experiences as John, Lotte decides that she may be a transsexual. "For the first time, everything just felt right." She really wants to BE John Malkovich. Maxine (who has no interest in Craig) is turned on by the idea of Lotte inside John's head. She meets John for a date while Lotte is inside him, and for the first time, Lotte is attracted to a woman. Maxine later tells her that she is "smitten with you, but only when you're in Malcovich. Behind the stubble and the male pattern baldness, I sensed your feminine longing."

 

Maxine goes on another date with John and puts off his advances until she can sense Lotte inside. Craig begins to snap when he realizes that his wife and love interest love one another, and he enters John the next time Lotte is supposed to be there.

 

John begins to sense that someone is controlling his voice and actions, and he and his friend Charlie Sheen surmise that Maxine is using John "to channel some dead lesbian lover." Craig the puppeteer begins to control more of John's movements and voice and takes him over completely.

 

The reason for all of this portal business is too complicated to explain, but all ends well. Craig leaves Malkevich's body. Maxine is pregnant and keeps the baby because Lotte is the father, and we finally see Maxine and Lotte kiss in their own bodies. They raise their daughter Emily together.

 

A very odd, yet fascinating, film.

 

Be With Me 2005

"Be with me" consists of three stories of love vs. solitude:

 

1) An aging, lonesome shopkeeper doesn't believe in life any more since his wife died. But he is saved from desperation by reading an autobiographical book and meeting its author, a deaf and dumb lady of his own age.

 

2) Fatty, a security guard in his fifties, lives for two things: good food and love for a pretty executive living in his block of flats. But, if it is easy to satisfy his first need winning the heart of the distant belle is a horse of another color.

 

3) Two teenage schoolgirls get to know each other on the Internet. Soon they fall in love.

 

Between Two Women (filmed in 2000)

A Yorkshire milltown in 1957. Ellen Hardy is unhappily married but is close to her ten year old son, Victor. The family has recently moved house and Victor has started at a new school where Ellen has become friendly with his teacher, Kathy Thompson, who is keen to encourage him at art.

 

As the friendship between the two women grows, Ellen's millworker husband, Hardy, feels increasingly alienated at home. Meanwhile, Ellen's sister, Alice emigrate to Australia to start a new life and soon the Hardys go on a disastrous seaside holiday.

 

Will Ellen - torn between her duties as a wife and mother and a fear of admitting her feelings for Kathy - also have the courage to break free emotionally and follow her destiny when she returns home?

 

A homage to classic British films such as Saturday Night and Sunday Morning and This Sporting Life, Between Two Women is the first feature from North Country Pictures - committed to bringing to an international audience top quality stories that reflect the history, culture, and literature of the Pennine region past, present, and even future.

 

 

Bitter Tears of Petra Von Kant 1972 subtitles

Petra von Kant (Margit Carstensen) is a divorced fashion designer and extremely stuck on herself. Her maid/secretary Marlene (Irm Hermann) seems to do everything for her, jumping to attention. She's also a co-designer, so it's unclear who really has the talent here.

 

Karin (Hanna Schygulla) enters as a young woman whom Petra offers to help out financially, and they become lovers. Only this time, Petra falls in love with Karin, but Karin is just using her and leaves when she's back on her feet. The self-possessed Petra can't believe it. All this time, Marlene has been the one completely devoted to her, but when Petra realizes this, it's too late. Marlene leaves as well, leaving Petra alone.

 

The entire film takes place in one room, showing Petra's reality - a woman who thinks herself a worldly designer, but is only the queen of her room. It's a two-hour movie based on a play heavy with dialog and moves at a snail's pace.

 

Written and directed by Rainer Werner Fassbinder, well known gay German director.

 

Blue Gate Crossing (Lanse Da Men) sub-titled 2002

Like a long romantic slow dance in high school, this gentle comedy follows three high school kids discovering their sexuality.  This romantic triangle unfolds as a young lesbian asks the high school swim team jock to help her approach the girl she loves.  Unfortunately, the jock falls head-over-heels in love with the lesbian, thus setting the stage for this comedy of errors.  Like an Asian John Hughes comedy, it infuses the right amount of teen angst and whimsical comedy for a satisfying treat. 

 

Written & directed by Chih-Yen Yee, BLUE GATE CROSSING was a Director’s Fortnight selection in the Cannes Film Festival.

 

Bobbie’s Girl filmed 2002 ***

American Bailey (Bernadette Peters) and British Bobbie (Rachel Ward) are a lesbian couple living happily together in a small Irish seaside town. They run a pub called the Two Sisters Bar and are helped by Bailey's wacky brother David (Jonathan Silverman, Teresa's Tattoo).

 

One day their lives are changed forever when Bobbie's brother and sister-in-law are killed, and their ten year old son Alan (Thomas Sangster) is sent to live with his aunt. Very serious and low key, Bobbie isn't happy about this development, but bubbly Bailey, a former Broadway actress, quickly develops her maternal instincts and welcomes the boy into their home.

 

At the same time that Alan must deal with his loss, Bobbie is diagnosed with breast cancer.

 

Nominated for both a GLAAD Media Award and a Daytime Emmy, this tv movie initially aired on Showtime.

 

Business of Strangers (The)

Two businesswomen bond and reveal their inner natures while getting carried away on a revenge attack against an accused rapist.

 

Bound ***

The romantic thriller that proved to be one of the best movies of the Nineties. Two girls in love attempt to foil the Mob with seductive charm and wit.

 

Gina Gershon and Jennifer Tilly star.   Corky, a lesbian ex con hired to work in an apartment as a plumber, meets neighbours Caesar, who launders money for the Mafia, and his girlfriend Violet. The two women have a love affair and decide to steal $2,000,000 that Caesar has in custody before he gives them back to Mafia boss Gino Marzone.

 

Caesar is set up by the two scheming women as a scapegoat but things start to go wrong when he reacts in an unexpected way...

 

Boys Don't Cry **

But I'm A Cheerleader (filmed in 1999) ***

Natasha Lyonne and Clea DuVall star in this comedy of sexual discovery, which chronicles the life of a typical teenager coming of age in a super-normal suburban existence. 

 

Megan (Natasha Lyonne) has it all. She’s popular, pretty, dates the captain of the football team, and she’s a cheerleader. To Megan’s surprise, one day her family and friends confront her with evidence that she is gay: she’s a vegetarian, she doesn’t like kissing her boyfriend, and she’s got a poster of a cheerleader in her locker.

 

In spite of Megan’s protests, her parents send her packing to a homosexual rehabilitation camp, “True Directions.” There, Megan works hard at becoming straight, until she gets to know Graham (Clea Duvall).

 

This John Waters influenced comedy brilliantly blends humor with romance as Megan finds the courage to be herself.

 

Also featuring RuPaul and Mink Stole.

 

Brushfires 2004

"When a shy girl, secretly in love with her rocker-grrl housemate, meets an unbalanced heiress on the run, anything could (and does) happen in BRUSHFIRES, the latest production from Chicago-based film group Split Pillow. As the three women negotiate the dangerous relationships among them, the seven women directors weave a sensual tale of suspense.

 

Drawing inspiration from the poem by Jessica Wilbur and the surrealist parlour game, The Exquisite Corpse, each director selected a word or phrase on which to base her segment, and the seven chapters of the film bear their individual marks. This impressive experiment in filmmaking emerges as a sensitive tale of young desire, loss, and love's confusion.

 

Big Dreams & Little Hope 2007

What starts out as a routine assignment for an uptight, career-driven reporter and her cheery, inquisitive butch camerawoman quickly becomes a comedy of errors as the two find their direction in life. The odd couple, Kelly and Linda, (respectively Emily Burton from Lesbian Pulp-O-Rama and Julie Goldman from the Big Gay Show on Logo) pack up the car and hit the open road as market researchers videotaping various strangers answering hypothetical questions about allergies. In true comical fashion, their personalities clash when the ambitious but often-times bitter Kelly strives to work harder to fulfill her aspirations of being a news reporter, while carefree and content Linda is just passing time until she opens her tattoo parlour.

 

On one of their many stops is a small town called Little Hope, which is exactly what they experience -- no hope finding a hotel room because of the town’s largest event of the year -- the annual chili cook-off. The only place with a bed (and bunk beds to boot) is the youth hostel filled with a cast of characters like the awkward first-time girlfriends and the snarling manager who instills a nightly curfew. Their wacky adventure escalates when Linda hooks up with an old flame and Kelly desperately tries to find cell phone reception, which could lead to her finally achieving happiness. Director Erin Greenwell takes us on a ride through humorous misadventures jam-packed with snappy dialogue, sympathetic characters and laugh-out-loud scenarios true to classic buddy comedies -- with a lesbian twist!

 

(The) Children’s Hour (filmed 1961) **

Best friends Karen Wright and Martha Dobie are headmistresses at a successful private school for girls in New England. Mary Tilford, a spiteful, angry child, is caught in a lie and punished. In retaliation she tells her grandmother, a matriarch in the town, that Martha was "jealous" of Karen's relationship with Dr. Joe Cardin, and tells that Martha's Aunt Lily thought those feelings were "unnatural." Grandma believes her and pulls Mary out of school.

 

The word quickly spreads and within days Karen and Martha are faced with empty classrooms. Joe is fired from the hospital for siding with the teachers. Karen and Martha sue for slander in a case that makes national headlines.

 

THE CHINESE BOTANIST'S DAUGHTERS 2006

(Les filles du botaniste) subtitles

In the 1980s, two Chinese co-workers fell in love. One married the other's brother so that they could live together, but when found out, both were executed. It's their story that inspired this French film, lush and romantic, but still headed towards tragedy. The Chinese government would not allow them to shoot in China, so the film was made in Vietnam.

 

Li Ming (Mylène Jampanoï) is an orphan whose Chinese father and Russian mother both died when she was three. After growing up in an orphanage, she lands a six week internship with Professor Chen (Ling Dong Fu), a leading botanist who takes her in to live on an isolated island with his daughter An (Xiao Ran Li).

 

As the two young women collect plants and care for Chen's herbal gardens, they become closer in the midst of strikingly beautiful green landscapes. Romance is in the air under the nose of the stern Chen, who also makes them wait on him hand and foot, including actually washing his feet.

 

When Chen suggests that Li Ming marry An's brother Dan (Wei-chang Wang), they decide that this is the only way for them to stay together, especially since he is away most of the time in the army. Dan is none too happy to find out that his bride is not a virgin, but heads back to his Tibetan army post none the wiser.

 

All seems like paradise for the love birds now - but the end will shock you.

 

 

Chutney Popcorn (filmed 1999) ***

Lesbian love story finds a New York photographer (Nisha Genatra) and her lover (Jill Hennessey) deciding to have a baby after the photographer's married older sister (Sakina Jeffrey) is determined to be incapable of having a child.

 

The photographer initially offers to act as a surrogate for her sister, but changes her mind as the birth draws closer. The photographer's Indian mother (Madhur Jeffrey), who has barely acknowledged her daughter's existence since her coming out, is brought back with her daughter with the impending birth.

 

Chasing Amy (filmed in 1997) *

Holden (Ben Affleck, Shakespeare in Love) and Banky (Jason Lee) are comic book artists. Holden falls for Alyssa (Joey Lauren Adams) when they meet at a comic con. He goes to see her sing at Meow Mix in New York City, thinking that she has a thing for him and unaware that this is a lesbian bar. The lead singer in the band, by the way, is Guinevere Turner (Preaching to the Perverted, Stray Dogs, Go Fish, The Watermelon Woman, "The L Word"). Affleck is actually quite good as the smitten guy, unaware that Alyssa's girlfriend (Carmen Lee) is standing right next to him.

 

Both Holden and Banky ask Alyssa the kind of curious guy questions about lesbians that most would never ask, most likely very educational for the average Kevin Smith movie watcher. Holden and Alyssa become close friends, until he tells her how much in love he is with her. She gives a great, angry speech … but damned if she doesn't run back into his arms. And so we have another "all the lesbian needs is a guy" movie. (Affleck later appeared in Gigli, a film with a similar theme.)

 

From then on, the film becomes about the relationship between Alyssa and Holden. Holden does become a jerk, and it appears that Alyssa is back in the life at the end of the film.

 

With appearances by Jay (Jason Mewes) and Silent Bob (Kevin Smith). Written and directed by Smith (Clerks, Jay and Silent Bob Strike Back). All of the above named actors also appear in Jay and Silent Bob Strike Back.

 

Claire of the Moon **

Blond, brash and beautiful, Claire Jabrowski attracts men easily, and takes her own heterosexuality for granted. But at a writer's conference, she shares a cabin with Dr. Noel Benedict, a lesbian who questions Claire's promiscuous lifestyle. Challenged and disturbed by Noel, Claire can't accept her ideas, but finds, to her great surprise, that she feels an attraction to her.

 

As the two debate back and forth, Noel also falls under Claire's charms, but she is wary, having recently suffered a disastrous break up. As each faces her fears, an intricate - and sensual - "dance" takes place between them, as they move apart, then come closer and closer . . .

 

Set in the lush Pacific Northwest, Claire of the Moon tells a timeless story of a woman's struggle as she awakens to new possibilities for love and intimacy.

 

"Intelligent and beautifully atmospheric . . . the very definition of love and intimacy." - Los Angeles Reader

 

"Sensual and provocative" - LA Times

 

 

Desperate Remedies filmed 1993 ****

In a town called Hope on the edge of Britain's empire, desperations clash: the beautiful Dorothea Brook is desperate to free her pregnant sister Rose from the clutches of Fraser, a fortune hunter.

 

A local politician, William Poyner, is desperate for cash and thinks marriage to Dorothea will save him. Dorothea hires Lawrence Hayes, a rough but handsome Argonaut, to bribe Fraser with jewels and to marry Rose; Hayes desperately loves Dorothea and may marry Rose to stay close to her. But Dorothea has a lover, the ravishing Anne Cooper, who encourages the match with Poyser to give the lovers cover.

 

Are these remedies, each desperate in its turn, going to make anyone happy?

 

The late Kevin Smith stars as Lawrence Hayes.

 

Desert Hearts ***

It is 1950s Nevada, and Professor Vivian Bell arrives to get a divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly drawn to Cay Rivers, an open and self-assured lesbian, and the ranchowner's daughter.

 

The emotions released by their developing intimacy, and Vivian's insecurities about her feelings towards Cay, are played out against a backdrop of rocky landscapes and country and western songs.

 

Vivian is a repressed English professor who goes to Reno for a quickie divorce in 1959. She spends the weeks waiting for her final divorce papers at a dumpy dude ranch where she meets Cay, a beautiful young casino worker. The two develop a friendship that stirs desires in Vivian that she can not deny. Slowly their attraction deepens into bold sensuality as they develop a bond that renews their hearts.

 

Desert Hearts pulses with a fabulous 50's soundtrack featuring Elvis Presley, Patsy Cline and Patti Page

 

D.E.B.S ****

Sultry crime boss Lucy Diamond (Jordana Brewster, The Fast and the Furious) is back in the states and the D.E.B.S.- an elite team of paramilitary college co-ed superspies- are hot on her trail.

 

But when their top agent, gorgeous Amy Bradshaw (Sara Foster, The Big Bounce), mysteriously disappears after coming face to face with the attractive young villainess, the D.E.B.S. begin a full-scale search for Lucy's secret lair, never suspecting that Amy may not want to be rescued after all, in this smart and sexy lesbo spy spoof about love at first sight.

 

Desi's Looking For a New Girl **

Desi's (Desi del Valle, Some Prefer Cake, Costa Brava, Unhung Heroes, The Second Coming) got a problem. She's been dumped by her girlfriend Adela (Rosa Medina) and is having a hard time getting back into the dating scene. With her friends' help, we watch her search for a new love, going through the pain of blind dates and mismatches.

 

The film is set in San Francisco amidst a Latina lesbian community, and it moves easily between English and Spanish. Writer/director/producer Mary Guzmán (After the Break, Mind If I Call You Sir) also drew the animations interspersed throughout the production.

 

Do I Love You

Marina (writer/director Lisa Gornick) has just broken up with her girlfriend Romy (Raquel Cassidy) but finds herself in the midst of questioning that decision as well as just about everything else to do with life, love, sex and intimacy. She rides her bike around London contemplating and examining and discusses her crises with family and friends, who often have their own issues to deal with.

 

In flashback, we see Marina and Romy interacting, as well as Marina and her ex, Romy and her ex, Marina and friends, Marina and family. … It's like watching a series of conversations about life. Marina is a bit neurotic, focusing on her increasing lack of femininity, cheating, lesbian relationships, and sex between men and women.

 

It's contemplative … sometimes interesting, sometimes not, a bit odd all in all. For those who identify with Marina and her friends, it may be a joy to watch. For others of us, it may not be the film to hold our rapt attention, but it did win several lgbt film festival awards.

 

Different Strokes (The story of Jack & Jill & Jill) 1998 *

Jill Martin, a New York art director, arrives in Los Angeles to supervise a photo shoot with local photographer Jack who's involved with another woman named Jill.

 

Jill Martin becomes involved with the relationship problems facing Jack and Jill as well as helping Jill deal with her sexual awakening to her repressed lesbianism and dealing with a jealous Jack when he finds out about Jill and Jill being together.

 

Everything Relative filmed 1996 *

Old college chums get together for a weekend reunion that is bound to open old wounds and perhaps heal them.

 

New romances find a spark while old ones rekindle.

 

Eternal (filmed 2004) **

Four hundred years ago, Erzebeth Bathory of Transylvania became known as the "Blood Countess." She routinely tortured young women until her bedroom floor was covered in puddles of blood and was known to actually bite their flesh. This is the historical background for Eternal, a modern day vampire tale that borrows this legend.

 

Montreal Detective Ray Pope's (Conrad Pla) wife is missing. He suspects Elizabeth Kane (Caroline Néron) and her assistant Irina (Victoria Sanchez), but little does he know that Elizabeth seduced his wife and then fed from her.

 

Elizabeth must bathe in the blood of young women who desire her to keep her youthful appearance, and we see her other female sexual conquests and victims. At the same time, she plays with Ray and his investigation.

 

When Elizabeth runs to Venice, he follows to try to trap her, and he learns about the Erzebeth of old, whom some people say never died. Can Pope solve the riddle? Can he stop more deaths of young women ... or will he fall under her spell as well?

 

As lesbian vampire movies go, this one brings an original plot line to the table, and Caroline Néron creates a very erotic character.

 

 

(The) East Is Red. aka Dung fong bat baai 2

1992 - Chinese subtitled ***

From the first scene, Swordsman III is chock full of high flying martial arts fantasy action with women leads, and it had a big influence on the development of the "Xena" series. (This is where the pinch comes from, for example.)

 

It's also full of gender ambiguity. The main character is known as Asia the Invincible, a kung fu master who attained amazing powers by practicing the Sacred Scroll and castrating himself in Swordsman II. He is now a she in appearance, played by Hong Kong action star Brigitte Lin (Dragon Inn, Peking Opera Blues), although always referred to as "he."

 

We're treated to a flashback of Asia kissing Snow (Joey Wong, Peony Pavilion), a woman who was his/her lover (so we're seeing two women together). When Asia is presumed dead, Snow pretends to be him/her, including having a group of female concubines. One night she chooses a new woman to sleep with, and while making love, the new concubine turns out to be a man pretending to be a woman.

 

The plot? Well, it's a wild fantasy involving the Ming Dynasty, the Japanese, the Dutch, and the Spanish, all looking for the Sacred Scroll held by Asia. One assumes that this is all metaphor for the political history of China and its invaders. The battles are filled with wire work and flying needles. Although Asia almost kills Snow for impersonating him/her, in the end, she is Asia's one love.

 

Entre Nous  - filmed 1983 sub-titled.  ***

At its heart, Entre Nous is a feminist film about taking control of your own life and what you make of it, not accepting the passive role of wife and mother just because it is expected of you.

 

Based on a true story written by her daughter (Diane Kurys), the film opens as Lena (Isabelle Huppert, 8 Femmes) arrives in a Jewish detention center in 1942 France. There she meets Michel (Guy Marchand), who immediately offers to marry her. She accepts as her only way out of being sent to a concentration camp, and they flee into Italy.

 

Meanwhile, Madeleine (Miou-Miou, May Fools, Elles) is an artist and sculptor who is happily married until her husband is shot by the Germans. She later marries again when she becomes pregnant, but her new husband is a user and a loser.

 

When the two women meet at their children's school, it's 1952 in Lyon. A fast friendship develops, an immediate attraction. They read erotica to one another and dream of opening a dress shop together.

 

It's unclear if they are lovers until it is a jealous Michel who says it out loud. His refusal to let Lena see Madeleine is what drives her to take action, and the women and their children start a new life together.

 

This received an Oscar nomination for best foreign language film, and it's filled with great performances and period costumes. You won't find even a kiss on screen, but love is in the air.

 

Femme Fatale filmed 2002 **

International con artist/thief Laure Ash helps pull off a diamond robbery in Cannes during the annual film festival. She double-crosses her partners-in-crime and makes off with the diamonds to Paris where she accidentally assumes the identity of a distraught woman who commits suicide and then leaves the country.

 

Seven years later, Laure (now called Lily Watts) re-surfaces as the wife of the new American ambassador to France where a certain Nicolas Barto, a Spanish photographer, takes her picture which sets the stage for a motion of events as the evil Laure resorts to low, underhanded means to protect her former identity by emotionally and financially destroying Nicolas while evading her former partners-in-crime still looking for her to reclaim the stolen diamonds.

 

Family Pack (filmed 2000 sub-titled)

It's July 1969 in Montreal. Odile (Macha Grenon) and Sacha (Marie Bunel) are arguing because Sacha is not yet out to her mother, and Odile is tired of pretending. She moves out to give Sacha time on her own to come out to her family, or she's leaving for good. This finally kicks Sacha into taking a trip back to Belgium, where she also comes clean about the fact that although the family thinks they have been sacrificing to support her while she is in medical school, she actually quit long ago.

What she finds is that the members of her family like to live without facing reality. They don't discuss anything of substance with one another, and all have secrets. Her mother (Hélène Vincent) has breast cancer but has told no one else. Her father (Christian Crahay) is hiding the family's money problems, and her grandmother (Tsilla Chelton) reveals that she's still looking for the traveling salesman from Paris who promised to return for her one day long ago.

 

Sister Elisa (Mimie Mathy), a dwarf, believes she is adopted and has been secretly searching for her birth mother. She is finally able to let go of her resentment for Sacha.

 

It's a portrait of a family full of quirks, and in the end, they all love and understand one another so much more. And Odile? She arrives for a happy ending as well. Although a coming out tale, the focus of the film is on family relationships.

 

Written and directed by lesbian Chris Vander Stappen

 

 

Fire ***

Fire is a beautiful film … about questioning tradition and duty, about choice, love and desire. It's visually very sensual in color, with two stunning women who take control over their own lives in the context of male authority and arranged marriages in India. One could categorize it as a romance between sisters-in-law, but this film is so much more.

 

Radha (Shabana Azmi) is married to Ashok (Kulbushan Kharbanda), who fancies himself a very religious man. Because they are unable to have children, and the only reason to have sex is apparently to procreate, he has taken a vow of celibacy to avoid desire, rejecting the affection of his wife. Ashok's brother Jatin (Jaaved Jaaferi) brings Sita (Nandita Das) into the household as part of an arranged marriage. But Jatin is in love with another woman and regularly spends the night with her, leaving Sita at home in a loveless situation.

 

Over time, the older Radha and young Sita find friendship, love and passion with one another. Ultimately, they must make the choice to break free of their husbands to begin independent lives, making risky choices in the face of tradition and taboo.

 

Fire was banned in India after theaters were vandalized by Hindu fundamentalists. A feature on the dvd examines the controversy (further fueled by the fact that Radha and Sita are named after two major Hindu goddesses). Writer/ director Deepa Mehta talks about the film as she is accompanied everywhere by an armed bodyguard. (Mehta later emigrated back to Canada after death threats, being burned in effigy by fundamentalists, and the destruction of the set for her film Water, which dealt with a young widow's affair with a lower caste priest.)

 

Don't miss this one!

 

French Twist (filmed 1995) **

The marriage of Laurent and Loli who have two children is a real harmony. This changes completely the day that the experienced and charming Marijo, a lesbian, enters their lives and falls in love with Loli.

 

Now Laurent has to face an oponent who he never had thought of before. He is fighting a woman for his wife......

 

but who ends up with who? In typical French fashion, the ANSWER IS IN THE TWIST RIGHT AT THE END......  and not to spoil it too much - this is a film FOR THE BOYS AS WELL....  French with English subtitles

 

Fried Green Tomatoes ***

 

Frida (filmed in 2002) **

Winner of 2 Academy Awards!

A remarkable story that chronicles the controversial life of famed Mexican artist Frida Kahlo and played magnificently by Salma Hayek.

 

Her brilliant imagination was fueled by physical pain from a horrific bus accident, by her flamboyant sexuality and by her tempestuous relationship with her husband and fellow artist Diego Rivera.

 

Floored by Love (filmed 2005)

In this Canadian television drama, two Vancouver families rediscover their love for one another. Cara (Shirley Ng) and Janet (Natalie Sky) live happily together, until Janet stirs things up by asking her partner to marry her when it becomes legal. Janet's family is Japanese, and she is already out to her mother and discusses the upcoming wedding with her. Cara, on the other hand, still puts on a skirt and makeup in front of her conservative Chinese parents.

 

Janet isn't happy about pretending to be Cara's roommate and feels as if her girlfriend is ashamed of her and their relationship. Finally Cara gets the courage to tell her parents after she realizes just how much Janet's love means to her.

 

In the apartment one floor below, Jesse (Trenton Millar) has just come out to his mom and step-dad, who are both extremely supportive of their teenage son. When his unreliable gay birth father (Andrew McIlroy) arrives though, Jesse is ready to run off with this much cooler parent - until he finds out just how great his family really is.

 

The stories are very simple and sweet and will leave you with an upbeat message about love and family in a multicultural setting. On the other hand, both are also quite predictable, with a bit of a hokey ending. Written and directed by Desiree Lim

 

Frog-g-g (filmed 2004) ****

Chemical waste seeps into a small town's water supply, causing the birth of a mutant FROGGG which is instinctively driven to mate with its genetic match - human women. Sexy EPA super-agent Dr Barbara Michaels tracks the Froggg's every move, fighting off corrupt good-ol'-boy politicians and drunken rednecks at every turn. No one in town believes her, or the evidence, until the shocking climax when the Froggg is finally brought to justice... or IS it...?

 

This was one great cheesy monster flick. Sort of like an updated, lower budgeted, tongue-in-cheek version of Humanoids from the Deep. You have a horny giant mutant frog, you have naked lesbians, you have action, a love story, everything.

(This is a very weird movie but I just loved the high camp)

 

Gaudi Afternoon 2001

"Cassandra, a solitary writer in Barcelona (a US ex-pat) gets a call for help from a stranger - a stylish woman named Frankie - who wants Cassandra to find her husband, so he can sign some important papers.

 

Nothing Frankie says is true: the husband turns out to be a woman, the issue isn't legal papers but a child's custody, and even Frankie's most obvious identity, in red cape and red pumps, is a false front. But Cassandra keeps at it, at first to earn her promised fee, and then to help Frankie, then Frankie's ex, then the child.

 

Along the way, this solitary and somewhat disconnected and bewildered writer frees herself to finish a novel and re-establish a broken relationship.

 

Gladiator Eroticvs (lesbian warriors) *

Seduction Cinema's trademark is lesbian erotic parodies of well known films, in this case loosely following the plot of the epic Gladiator. When the Emperor Gluteus Maximus (Jeff Faoro) dies, his son and heir to the throne, Dickus Minimus (John P. Fedele), sends General Eroticus (Darien Caine) into slavery in Lesbius. There she becomes a prized lesbian gladiator, women who are valued not only for their fighting skills, but their abilities to seduce their female opponents. Eroticus seeks her revenge on the new emperor and seduces his sister Clitoris (Misty Mundae), winning her freedom.

 

Sound ridiculous? It is a slapstick spoof, interrupted by women making out on the battlefield, so it's good for a few laughs. It's the kind of movie that is intentionally stupid, with laughable dialog, dubbed voices and low budget special effects. The problem is that after the first or second one, the erotic scenes are just not that exciting (very tame stuff).

 

Watch Gladiator Eroticus for curiosity's sake, but just know what you're getting! These same actors appear in other Seduction Cinema productions as well.

 

 

Gia ***

Fact-based story of supermodel Gia Marie Curangi follows her life from a rebel working in her father's diner at age 17 to her death in 1986 at age 26 from AIDS, one of the first women in America whose death was attributed to the disease.

 

In between, she followed a downward spiral of drug abuse and failed relationships.

 

Stars Angelina Jolie as the lesbian supermodel & Elizabeth Mittchell as her sometime lover!

 

The Girl 2002 –sub-titled. **

Set in Paris, The Girl follows the spiraling affair between two women: the film?s narrator ? a beautiful painter (Agathe de la Boulaye, Jefferson in Paris) ? and a stunning cabaret singer who she calls The Girl (Claire Keim, Marriages, Ripper: Letter from Hell). On their first night together, The Girl insists it will only be this one time. However, the two are soon involved in an ongoing relationship. While their passion for each other is consuming, a relationship from the past threatens to tear them apart. "An accomplished piece of filmmaking . . . Its ambition and beauty triumph! Loren King, The Boston Globe "A perfect visual tango of erotic heat . . . A breakthrough in lesbian cinema!"? Jim Fouratt, LGNY Official Selection Toronto Film Festival, Berlin Film Festival

 

Girl Play *

When you?re an actor, sometimes it?s hard to tell when you?re playing a role. When Gabriel (Dom Deluise) casts Robin and Lacie to play lesbian lovers in his latest production, he unwittingly sets in motion a true life lesbian drama. Robin is in a lesbian marriage of six years, while Lacie prefers to play the field. But as rehearsals progress, the two women find themselves drawing closer and closer. At the same time, they each have nagging doubts as to whether their attraction is real or just acting. After the first night ?s successful performance, their emotional dams finally burst . . .

 

Girlfriends filmed 1993 *

Although its storyline includes some similarities to the life of Aileen Wuornos, this comedic low budget production with lots of accompanying sticky red blood special effects is no Monster! Wanda (Nina Angeloff) and Pearle (Lori Scarlett) are out of work lovers who make their living as serial killing thieves. They dress in disguises, lure obnoxious men in clubs, and then Wanda blows the guys away and steals their wallets.

 

It's a messy life, and neither wants to clean up the blood afterwards. Finally when Pearle's maternal instincts kick in, they decide to make a break from killing and start a family. Pearle seduces a virginal librarian to have sex with her, but out of habit, they have to kill him too.

 

After a little more bloody mayhem, Pearle gives birth to make a happy little family, living an honest life on welfare, food stamps and Wanda's occasional forays into prostitution. Only a few more tricks, and they may even move to Florida. A girl can dream, can't she?

 

Go Fish 1994 **

GO FISH is a witty, smart, and sensual romantic comedy about the trials and tribulations of a circle of lesbian career women and their girlfriends. When the young and fun-loving Max (co-screenwriter Guinevere Turner, AMERICAN PSYCHO) meets the frumpy and older, but sweet and shy Ely (V.S. Brodie) for the first time, it's hardly love at first sight. But with a little help from their matchmaking friends, the two women just may live happily ever after.

 

This raw but sweet look at modern lesbian relationships made waves at several film fests and manages to channel its limited visibly limited budget into a funny, heartfelt tale of opposites attracting.

 

The film was shown at the 1994 Sundance Film Festival.

 

Goldfish Memory (2003)

When it comes to love, there's a first time for everything!

 

GOLDFISH MEMORY is a light-hearted look at the dangers and delights of dating in contemporary Dublin. When Clara sees her boyfriend kissing Isolde, it sets off a chain reaction of romances and heartbreaks until the entire cycle has turned full-circle, with each character trying to solve the pressing question of what is the perfect relationship! Some favor marriage, others a week-at-a-time arrangement.

 

The only thing they can all agree on is that love is the one thing we cannot live without. Falling in love, out of love and making the same mistakes all over again-all os us say we learn from heart break, but how many of us really change? And do we really want to? Exploring the comical and romantic nature of love, straight, gay and in-between, GOLDFISH MEMORY brings to life the saying...what goes around...comes around...and around...

 

Winner - Audience Award: OUTstanding Narrative Feature - Outfest 2003 (Los Angeles)

 

(The) Gymnast 2007

A visually compelling film about hope and taking the necessary risks to fully become yourself.

 

Talented Jane Hawkins (Dreya Weber, Lovely & Amazing) was an impressive gymnast at the top of her game until a devastating injury ended her career. Years later, a chance meeting sets Jane on a new path – performing a cirque style aerial act with a mysterious dancer named Serena (Addie Yungmee). As the stunning pair prepares for a Las Vegas show, the pull between them becomes increasingly unavoidable...

 

Happy Birthday (filmed 2002 English & Chinese subtitles)

One might think that a film entitled Happy Birthday would be filled with joy and celebration. Instead, this black and white production focuses on the trials and tribulations of five gay and lesbian individuals who all share the same birthday. We see their life struggles, and only one of the five stories really ends happily.

 

Jim (Benjamin Patrick) is an overweight gay man who has just won telemarketer of the year at his job, but he must face the put downs of co-workers and growing self esteem issues over his appearance. Ron (John Frazier) runs an ex-gay ministry but is caught out in a lie as a church member finds him renting gay porn. His hypocrisy is alarming. Javed (Devashish Saxena) is Pakistani and applies for asylum in the US since his family has threatened to kill him. He is the only one happily in a relationship with Greg (Denton Blane Everett), a gay porn star.

 

Kelly's (Michelle E. Michael) girlfriend has just left her. When an old friend calls and invites her over, she's hopeful that the two will finally get together, but is crushed to find the friend happily married to a man. And finally, Tracy (Ethel Lung) deals with a visit from her mother from Taiwan. She tries to de-dyke the apartment, but nosy Mom (Xiao Fei Zhao) finds the box of books, etc. Worried about her mother's traditional Taiwanese views, Tracy can't believe how supportive her mom is, loving her daughter no matter what.

 

The Hours (2002) **

Three women, separated by time, class and geographic location, share the book "Mrs. Dalloway" by Virginia Woolf. The film opens with author Woolf in an idyllic Sussex countryside in the early 1920s. Kidman, who won a Best Actress Oscar as Woolf, offers a studied, controlled exploration of a creative spirit trapped by expectations of reason and conformity, and the best intentions of those who love her. Laura Brown (Moore) enjoys the middle-class bliss of suburban Los Angeles in 1951; yet she seems curiously sad and disassociated, intimidated to distraction by the task of baking a cake. Her eerily prescient son Richie (a superb performance by young Rovello) observes her with understanding beyond his years. And in present-day New York City, Clarissa Vaughan (Streep) is hosting yet another party; this time for her longtime friend and confidant Richard (Harris), whose nickname for her is "Mrs. Dalloway."

 

With children or without, with men or without, these three women share a replication of activities and a communality of emotions and demands that transcend their superficial differences.

 

The film avoids toppling under the weight of the complexity of Michael Cunningham's poetic and sprawling Pulitzer Prize-winning novel by the grace of remarkable performances from the three leads and the superlative supporting cast, and supple, fluid direction. Phillip Glass' hypnotic score works to perfection. In the end, The Hours delivers a thoughtful contemplation of the inner lives of three women who reflect each other's reality and the shared reality of all women.

 

High Art (1998) ***

This break-out hit from lesbian writer/director Lisa Cholodenko stars Ally Sheedy as Lucy Berliner, a once-famous photographer, whose career has been revitalized when she meets Syd (Radha Mitchell), a beautiful young assistant editor for a prestigious photography magazine.

 

Withdrawn from the art world, Lucy is reawakened by Syd who offers her the hope of escaping her drug-filled world. Before Syd realizes it, she is drawn into Lucy's seductive and dangerous mix while forced to make choices she never imagined. A challenging film that raises interesting questions as to how objective a person can be about art, especially when they are involved in the creative process.

 

(This copy has German sub-titles)

 

The Hunger (1983) ***

Miriam, a centuries-old vampire, preys on urban club goers with her vampire lover John. When John suddenly ages and wastes away, Miriam casts her spell upon Sarah, a doctor who researches premature aging.

 

This neo-Gothic exercise in style and atmosphere is perhaps most widely known for a lesbian sex scene involving Miriam and Sarah, played by Catherine Deneuve and Susan Sarandon. (this was the first lesbian love scene I ever saw on the movie screen)

 

If These Walls Could Talk 2 ***

Stories about lesbian couples in three different decades. HBO drama starring Vanessa Redgrave, Chloe Sevigny, Sharon Stone and Ellen DeGeneres.   

 

1961: When Abby dies of a stroke, her surviving partner of 50 years, Edith, must silently face heartbreak and the denial of her status as "family" by the hospital and Abby's heirs.

 

1972: Linda, a feminist, out, college student is ousted, along with her lesbian cohorts, from the on-campus womens' group: the cause of feminism comes first, apparently. In an attempt to forget their troubles, the friends go to the only lesbian bar in town, where Linda meets Amy, who is too butch to pass muster with Linda's friends.   Intrigued, despite her friends' disapproval, Linda comes to understand and fall in love with Amy while learning about her own prejudices.

 

2000: Fran and Kal (Ellen DeGeneres and Sharon Stone) want to have a baby. But they want the baby to be theirs and theirs alone, so to the sperm bank they go. But the decisions to be made! Ordering over the internet? Which donor? What race? What gender? And what if the sperm bank is out of that particular perfect donor?  

 

It's In the Water (filmed in 1998) ***

An Outrageous Comedy with a Queer Little Twist!

 

When sexy, upper-crust society wife Alex (Keri Jo Chapman) falls for her old high school best friend, Grace (Teresa Garret) the snobby little town of Azalea Springs is up in arms.

 

Alongside the budding romance, indie filmmaker Kelli Herd brings us a hilarious comic portrait of small-town life and a firm trouncing of homophobic intolerance as the whole town confronts the zany rumor that their water supply is turning everyone gay!

 

Whether you grew up in a small town or ever had to deal with the intolerance of others during the process of coming out -- this film will entertain and touch you. It might even end up on your Top Ten Movies List!

 

Wildly popular with gay and lesbian audiences across the country, this fast-paced tale spins out sub-plots galore: from the newspaper boy who beds the hot Latino artist, to the death of the openly gay designer Bruce. Great dialogue and smartly executed performances abound, including Larry Randolph’s turn as Alex’s hunky husband, Barbara Lasater as Alex’s bitchy mother and John Hallum as the flaming Spencer.

 

(The) Incredibly True Story of Two Girls in Love (1997) ***

An adventurous love story between two young women of different social and economic backgrounds who find themselves going through all the typical struggles of a new romance.

 

The Incredibly True Adventures if Two Girls In Love is a touching and comic story of first love between two girls in their senior year of high school. Randy Dean, a rebellious tomboy who lives with her lesbian aunt and her aunt's lover in a working class neighbourhood, falls in love with Evie Roy, a smart and beautiful African-American who is one of the most popular girls at their high school. Convinced that something's wrong with her posh Range Rover, Evie meets Randy when she drives into the gas station where Randy has an after-school job.

 

Intrigued and charmed by each other, the two begin an unlikely romance that sets in motion a series of comic misadventures culminating in a showdown at a motel where family and friends converge to keep the young lovers from running away together.

 

Intimates (Ji sor) 1997

Can you imagine a life without sex? San Francisco architect Wai (Theresa Lee) can't, but when she accompanies her Auntie Foon (Gua Ah-leh) back to China, she learns about Foon's life. To escape marriage fifty years earlier, Foon entered a traditional Chinese organization of women sworn to virginity for life.

 

Then while working in a silk factory with other women like her, young Foon (Charlie Young) meets Wan (Carina Liu), who hires her as a maid. On the trip, Wai worries over her boyfriend, trying to find love, and Foon reminisces about her devoted and tender care of Wan through the trials of her life, and loving her even these many years later. Wan also loved Foon in a romantic sense, becoming jealous when Foon fell in love with a local fisherman, and wishing for more between them.

 

They only become closer after tragedy befalls them both in different ways, finding that their love endures more than their relationships with men. Finally they make a life together, and we see them kiss in a beautiful scene conveying such strong emotion. Their joy still exists years later after being separated by war. Their reunion is sweet, containing a surprise twist at the end.

 

Both Liu and Lee were nominated for Hong Kong Film Awards. It's a tender romance, and a fine movie with high drama.

 

Inescapable filmed 2004 *

"Good dirty fun. The scenes of lesbo lust unfold leisurely, with the lead actresses reveling in the smut. No tidy morals, no championing of monogamy: These sisters are Doing It for themselves.”

– The Village Voice

 

Two best friends and ex-lovers, Beth and Susan, plan a reunion in Oregon. Their current lovers, Chloe and Jessie, feel alienated as their girlfriends take off to attend several work related seminars. But left together, an unexpected and intense attraction develops between Chloe and Jessie and ignites a fiery affair, which is quickly complicated by guilt and the fear of getting caught.

 

Gorgeous women and hot sex make for a winning combination in this erotic drama from indie filmmaker Helen Lesnick (A Family Affair).

 

 

Imagine Me & You 2005. ****

A sparkling romantic comedy, Imagine Me & You marks the directorial debut of critically acclaimed screenwriter Ol Parker.

 

Heck and Rachel are a young couple about to embark on life together when an unexpected meeting turns Rachel's world upside down. What follows is the romantic, hilarious and sometimes poignant journey familiar to anyone who has ever fallen in love at first sight. And what if you discover that the one person you are destined to spend the rest of your life with might not be your boyfriend, but a perfect stranger? Imagine Me & You shows that the path to true love isn't always straight...

 

Starring Piper Perabo, Matthew Goode, Lena Headey, Anthony Head, Celia Imrie, Sue Johnston

 

 

In The Glitter Palace (filmed 1977)

The ex-girlfriend of a laywer/detective, who left him for another woman, asks him to defend her lover in a murder case.

 

 

Intentions (filmed 2003) *

Renee Higgins (Katherine Lee) is a married college professor who falls in love with one of her students, Eve Carsow (played by gorgeous Deidre Kotch) in this poignant emotional journey.

Renee has a comfortable family life until Eve is cast in the lead role of the Theatre Arts Department’s current production. With each rehearsal, repressed emotions awaken within Renee. Then after a rehearsal one evening, a dinner invitation turns into an illicit affair.

 

Renee and Eve awaken things in each other that they had been trying to suppress, both creatively and emotionally. Through their love, they are forced to examine these passions and find the strength and courage to pursue their dreams. Intentions is a character driven, actor's showcase that takes the audience through an emotional passage of sacrifice, love, heartbreak, desire, and eventual resolve.

 

The Journey (Sancharram) 2004 sub-titled

In a very delicate film, Kiran (Suhasini V. Nair) and Delilah (Shrruiti Menon) are friends in a small southern Indian village. Kiran's parents are intellectuals who returned to their family home from the city, and Kiran is a quiet poet in contrast to the beautiful and outgoing Delilah.

 

Kiran begins to wrestle with romantic and sexual feelings for Delilah. When their mutual friend Rajan (Yam Seethal) asks her to help him write love letters to let Delilah know how he feels about her, Kiran agrees. When Delilah finds that it's really Kiran behind the love poems, the two begin a sweet romance.

 

When their relationship is discovered, Delilah is rushed into an arranged marriage, and Kiran questions her desire to live without her love, but what is notable is that neither cowers or pretends. They stand up and tell the truth. The ending is tragic and painful, but also triumphant as Kiran embarks on the journey that is the rest of her life.

 

Johnny Greyeyes (2001)

This poignant tale of Native lesbian life presents a gritty, yet deeply humanizing portrait of life behind bars. Troubled but proud lesbian Johnny (Gail Maurice) and her lover/cellmate Lana (Columpa C. Bobb) boldly fight for tolerance and respect amidst the brutalities of prison life.

 

Johnny Greyeyes is the powerful story of a Native American woman struggling to maintain strength, love and spirit within the walls of a women’s prison. An official Sundance selection, the movie was also nominated for Best Picture at the American Indian Motion Picture Awards, and Jorge Manzano won Best Director. It also won the Freedom Award at Los Angeles Outfest 2000. Since the shooting death of her father, Johnny has spent most of her life in prison. There, she forms a new family and falls in love with her cellmate Lana. But her responsibilities to the outside world weigh heavily as she attempts to pull together her fractured natural family. With her release date near, Johnny valiantly strives to keep her two worlds together.

 

The first feature film focusing on Native lesbians, Johnny Greyeyes is a tremendously powerful lesbian drama.

 

THE JOURNEY TO KAFIRISTAN

(Die Reise nach Kafiristan) 2001 sub-titled.

Based on a true story, The Journey to Kafiristan follows ethnologist Ella Maillart (Nina Petri, Run Lola Run) and her traveling companion, writer Annemarie Schwarzenbacher (Jeanette Hain), as they drive from Switzerland to Afghanistan in pre-war 1939. Ella wants to make a name for herself in the academic world by studying a group of isolated nomads, while Annemarie is running away from a morphine addiction and looking to find herself.

 

What we see is an amazing cinemagraphic journey, with wonderful images and landscapes on the long drive, actually shot in today's Uzbekistan. The pace of the film is slow and delicately introspective, with meaningful but short dialog between the two women and long, comfortable silences. They are not lovers, but have a deep and growing love for one another and an ever present sexual tension.

 

Annemarie routinely dresses in a man's suit and necktie, passing as a man with locals, and presumed to be a lesbian by other Europeans. When they reach Tehran, she puts on a dress to meet her husband, a French diplomat, and is relieved to find him away. Instead, she spends her time in the city making love to a Turkish woman.

 

On the way to Kabul, the journey is cut short when war in Europe causes Afghanistan to restrict the travel of foreigners. The travelers' ambiguous relationship is never resolved, so this film can't quite be categorized as a romance, but it is a lovely film of the art house variety. Watch it more than once to find more in it each time

 

Jaded (filmed 1996) **

"Jaded" takes on the complex question of abuse: the perpetrators and the victims. In lesser hands it would have degenerated into an erotic thriller made for direct-to-video. This director, however, has managed to pull off a textured multi-layered study with a decidedly different point of view.

 

Given the fact that the director/writer is a woman and the main detective and D.A. are also women, this could have turned into a very anti-male film. It is not. To be a sexual predator IS gender neutral. The nudity of this film is not erotic. The rape is brutal not sexual. We are looking at victims and not titillation.

 

The gifted cast rings true. For a film that is so little known, I was surprised at the quality of the performances. They are good. Carla Gugino and Rya Kihlstedt are incredible.

 

Somehow, this film got lost. Perhaps it is too smart for its own good.

 

Julie Johnson (filmed 2001)

Bob Gosse’s (Niagara Niagara) inspirational tale of self-discovery, courage and love tells the story of Julie Johnson (Lili Taylor), a dissatisfied New Jersey housewife.

 

Tired of the life she is leading, Julie decides to enroll in a night school computer class. Her newfound confidence doesn’t sit well with her bossy, blue-collar husband and she eventually kicks him out of the house, inspiring her best friend Claire (Courtney Love) to do the same.

 

With no place to go, Claire moves in with Julie. It is not long before Julie confesses her long-held romantic feelings for Claire, who at first is quite upset but soon admits to having the same feelings. As their relationship deepens, their growing alienation from their friends and neighbors begins to take its toll.

 

Just The Two of Us 1975

Along with That Tender Touch, this 1970's dykesploitation classic is one of the first releases in the Wolfe Vintage Collection. Housewives Denise (Elizabeth Plumb) and Adria (Alisa Courtney) drop their husbands off at the airport for their military assignments - and then the fun begins.

 

They observe a lesbian couple at lunch holding hands and kissing in the car, prompting longing in Denise and quite a curiosity in Adria. With the older Denise taking the lead, the two become lovers themselves and spend their out of bed time frolicking at the amusement park, mini golfing and horseback riding. But eventually Adria gets bored of their relationship and starts dating Jim (John Aprea), a man they meet together at the Santa Monica Pier.

 

After breaking it off with Denise and telling her they must only be friends now, her former lover is left to try to forget her sorrows. Denise finds herself stoned at a party and having sex with the hostess (Elizabeth Knowles) on top of a pool table - until she freaks out and runs, thinking only of her love for Adria.

 

In an unusual twist for a film made in 1975, both Adria's husband and boyfriend Jim dump her, and Adria and Denise actually walk off together again in the final shot.

 

Kissing Jessica Stein (filmed 2001) ***

This one starts like many a romantic movie. Jessica Stein (co-writer/producer Jennifer Westfeldt) is a straight Jewish journalist in New York, going through a series of disastrous dates. But Jessica takes a turn that others do not when she answers a woman-seeking-woman personals ad.

 

Meanwhile, artist Helen Cooper (co-writer/ producer Heather Juergensen) is very sexually active with men, but hasn't been with a woman in a while. Her gay friends put a personals ad together for her, and so Jessica and Helen meet.

 

Neurotic Jessica's analytic approach to the new experience of having sex with a woman is a hoot, and although she usually eschews relationships, Helen turns into a romantic with Jess. The two both appear to be in love, but Jessica finds herself unable to come out to her family and friends.

 

Will she come to her senses?

 

It's a cute, smart and witty comedy ... as long as you stop watching before the last ten minutes of the film.

 

Kate’s Addiction 1999 *

Kate, a young sociopath, arrives in Los Angeles where she looks up her old college friend Sara and begins a devious game of manipulation, murder and seduction, with a little help from her co-conspirator Zoey, to move into Sara's life. But a little later, when Sara meets a new man in her life, Kate does not stop her game of scheming and murder to keep Sara all for herself.

 

The Killing of Sister George

 

Lost and Delirious (2000) ****

This terrific, full-on lesbian melodrama takes up the long tradition of Baby Dyke Girls’ Boarding School movies (Maedchen in Uniform, Therese & Isabelle, etc,) and features a stunning cast of young female stars (Piper Perabo, Jessica Pare, and Mischa Barton). A gorgeous production from out lesbian director Lea Pool.

 

Mouse Bradford (Misha Barton, The Sixth Sense) has just arrived at boarding school. Her two senior roommates, the striking, sharp-witted Paula (Piper Perabo, Coyote Ugly) and the charming and beautiful Tori (Jessica Paré, Stardom), quickly adopt the homesick girl. When Paula and Tori are found to be lovers, Mouse, caught in the role of accomplice and confessor, is left torn between her two friends.

 

La Repetition

2001 Official Selection at the Cannes Film Festival in Competition

 

In an erotic tale of two professional women, Nathalie (Emmanuel Béart, MISSION IMPOSSIBLE & 8 WOMEN) who has pursued a career as an actress and Louise (Pascale Bussieres, WHEN NIGHT IS FALLING) who runs a dental prosthetics business with her husband, rekindle their friendship after a tumultuous break-up ten years before.  They begin to discover that the passion that flames their relationship will only tear them apart once again.

 

Lackawanna Blues (filmed 2005)

Lackawanna Blues is the story of Junior (Marcus Carl Franklin) and his life growing up in an upstate New York boarding house run by Nanny (S. Epatha Merkerson, A Girl Thing, She's Gotta Have It, "Law & Order"). Nanny is the mother of the African-American community there in the 1950s and '60s, and many of her tenants are misfits who all find a family there under her watchful eye and loving heart.

 

Ricky (Adina Porter, Gia) is one such boarder, a butch lesbian who looks fine in a man's suit. Says Junior, "I thought Ricky was the coolest dude living there ... and she was." Ricky is a constant in the house over the years, often in the background, but without much character development or a storyline of her own.

 

Most of the film focuses on Nanny and Junior's observations of her as she takes care of countless individuals who need a helping hand. The supporting cast is amazing, with Mos Def, Louis Gossett Jr., Macy Gray, Ernie Hudson, Rosie Perez, Jimmy Smits and Patricia Wettig. The other constant is great music, especially when it comes to the blues.

 

Based on the autobiographical one man show by Ruben Santiago-Hudson (Their Eyes Were Watching God) and co-produced by Halle Berry. Although Ricky has a small part, this is a very moving drama with a fine soundtrack.

 

Losing Chase (filmed 1996) ***

Academy Award nominee Helen Mirren, along with Kyra Sedgwick and Beau Bridges, stars in Losing Chase, an original drama that marks the directorial debut of actor Kevin Bacon.

 

This moving story follows the intimate relationship between Chase Philips (Helen Mirren) and Elizabeth Cole (Kyra Sedgwick) over the course of one summer on Martha's Vineyard. As Chase recovers from a nervous breakdown, she and her children are cared for by a 20-year-old mother's helper, Elizabeth, hired by her husband, Richard (Beau Bridges). Richard spends most of his summer at work in Boston, returning to the island only on weekends.

 

At first Mrs. Philips mercilessly bullies Elizabeth, until, in a verbal showdown, the girl finally stands up to her employer. A contrite Mrs. Philips pleads that she needs a friend, revealing that her breakdown was a result of feeling isolated and alone on the island. Elizabeth promises to become that needed friend.

 

As the summer lazes on, the two women form a very special bond. But the situation becomes troublesome to Richard when it appears the relationship has gone beyond the realm of friendship. He sends Elizabeth away, leaving Chase feeling lonely, and yet reinvigorated by the whole experience.

 

Late Bloomer’s (filmed 1997)

Official Selection: Sundance Film Festival

A delightfully romantic lesbian coming-out love story, this comedy-drama is set in Eleanor Roosevelt High School where Dinah, a gangly fortysomething math teacher and basketball coach, becomes friends with the cute but doughy Carly, a married school secretary and mother of two.

 

What begins as innocent friendship soon becomes much more. As the two become more demonstrative in their affection, those around them become increasingly troubled. But romance triumphs over all adversities as the two women throw caution to the wind and fall passionately in love with each other.

 

Part comedy, part family drama, and all love story.  A Family drama written by Gretchen Dyer and directed by her sister, Julia Dyer.

 

Lianna (filmed 1983) ***

Linda Griffiths plays Lianna, the naive young wife of a professor bored with her life and angered at her husband's blatant sexual indiscretions. She has an affair with another woman, Ruth (Jane Halleran), and when her affair becomes common knowledge, she finds herself shunned by both her friends and family.

 

Released shortly after a handful of films touching upon homosexual relationships (MAKING LOVE, PERSONAL BEST), LIANNA is a realistic depiction of a lesbian relationship that does not succumb to typical Hollywood formulas. Director John Sayles traces the consequences of divorce and the constrictions of women's possibilities with an unsentimental eye, showing that freedom often comes with a heavy price.

 

Although many people were skeptical about a man helming a film about lesbians, Sayles does an admirable job creating a movie that no studio wanted to touch, on a budget that very few directors could live within.

 

(I thought this movie was very progress for its time)

 

Love & Suicide 2006

When pretty but troubled Kaye moves to New Orleans from Atlanta with her mother and little brother, she forges a special friendship with Emily, a rebellious high school senior with troubles of her own. They become instant best friends, and begin spending all their free time together. Emily even helps Kaye run away from home.

 

The girls' mothers do not approve of their relationship, and Emily's mother accuses her of associating to closely with a corrupted and confused young girl. As Kaye and Emily grow closer, Kaye's mother begins to suspect what she fears is the worse, that Emily's sexual prowess has corrupted her daughter.

 

Faced with the ridicule from their peers, and the pressures of their families and conservative religious beliefs, Kaye and Emily are forced to choose between true love and the promises they've made to each other, and fitting into a society that refuses to accept them.

 

Loving Annabelle (filmed 2006) ***

Loving Annabelle is the controversial story of a Catholic Boarding School teacher, Simone Bradley (Diane Gaidry), who has an affair with her female student, Annabelle (Erin Kelly).

Simone is Saint Theresa's prized young poetry teacher who finds peace and security within the boarding school's walls. Surrounded by a lush atmosphere with little conflict, Simone has settled into a life of comfort and purpose educating her young female students.

Annabelle is a charismatic and enchanting new student who quickly draws attention for her rebellious behaviour. Fearing Annabelle will influence the other students, rigid Headmistress (Ilene Graff), instructs Simone to keep an eye on Annabelle and get her under control.

Simone, however, quickly learns that the real challenge is not Annabelle's behaviour but the attraction budding between the two. As Annabelle pursues her teacher, she unleashes the passion that has been locked deep inside Simone, who must decide whether or not to enter into an affair that could cost her everything.

Love/Juice(filmed 2000) ***

Love/Juice subtitled 2000 Chinatsu is a tomboy, wishing she was born as a man and has trouble keeping her dates, while Kyoko is a happy go lucky free spirit of sorts, that enjoys painting, flirting up with guys and even sporadically leading Chinatsu on. Kyoko's mood swings keep Chinatsu entertained as much as they drive her mad and jealous. Especially when she tries to get her feelings across and answered in return. The ever changing wave of both characters' emotions, at first feel disjointed, but as the dialogue sets in, their misunderstandings feel sincere. The acting and confinement of the director create a genuine feeling of eroticism with a layer of sophistication, as supposed to silliness or raunchiness.
Inspired by the 1931 German classic, MAEDCHEN IN UNIFORM, director Katharine Brooks' Loving Annabelle gives a modern telling of the “forbidden love” story that continues to be controversial to this day.
 
Loving Annabelle explores the complexity and controversy of love and struggle between two women who have every reason to deny their feelings. Blinded to the world around them, the two journey into a love affair destined to change their lives forever.

 

Listen 1996

Can't get enough of psycho lesbian killers? Then Listen may be the film for you!

 

Sarah (Brooke Langton, Kiss the Bride), her boyfriend Jake (Gordon Currie), and her best friend Krista (Sarah Buxton) all live in different apartments in the same building in San Francisco. Sarah is having trouble with her cordless phone and discovers that she is able to listen in on a neighbor's conversations. The guy likes to call phone sex lines, and Sarah begins to really enjoy getting off while eavesdropping.

 

It turns out that Krista just came back from a year recovering from a nervous breakdown brought on when Sarah broke up with her. Sarah says she still loves her, but wants children. Thus Jake fits the bill, but when there's a psycho lesbian around with a crazy look in her eye, Jake should have known better than to pressure Sarah to remove Krista from her life.

 

Soon the phone sex operators begin turning up dead, and Sarah and Krista are working with the police to find the neighbour who is calling. Is it the building super, the guy who bothers Sarah in the elevator, even Jake himself? Unfortunately, I guess the cops never noticed that Krista is more than a little unstable. A little murder, a little framing of others, a fragile Sarah, and voila! Sarah and Krista are again a happy little couple.